In the hushed ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is naturally upright, his limbs defined beneath a plain tee. On stage, dancers can appear like powerful deities, yet often offstage they are petite. Not so Ball, whose tall stature is part of his popularity for heroic roles and pas de deux work. Possessing delicate features and piercing eyes, there's a touch of Robert Pattinson about him.
A Seamless Ascent to the Pinnacle
At 31, Ball is experiencing the crest of a career that has advanced smoothly. Growing up in Liverpool, he faced minimal ridicule for his childhood interest in ballet. Joining the esteemed training institution at 11, he graduated directly into the troupe and was promoted each year, attaining the top rank of lead dancer in 2018. He has relished tackling substantial characters, particularly the emotional angst found in Kenneth MacMillan's works.
"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."
Ball's next featured role is in a talk, in an "Evening With" series aiming to offer intimate perspectives into a performer's craft. He will guide the audience through a part, demonstrating his cognitive workflow during execution. Yet in lighter ballets, the test is significant. "A classic ballet is one of the toughest technically," he notes.
The Mental Struggle and After the Show Emotions
How does he feel after a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get immersed in the role, quite often I do feel embarrassed later. After an intense role I'm always like: Wow, what must people think?"
Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. Yet a dance maker previously observed on a "sense of suffering in him." Does this exist? "I am very energetic usually, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an instigator for positive change."
Early Motivations and Creative Inspirations
His tenacity stemmed from early experiences. Not excelling in contests at school made him "vengeful!" It was motivation to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
An upcoming endeavor is creating his own dance works. For Ball, "there's nothing wrong with." "Breaking the conventions is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from books, compositions, and art.
Intimate Performance and Personal Dynamic
He also is interested in presenting dance in more intimate venues. "It was just really thrilling," he says of a past show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They aren’t usually matched on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s favorite supporter."
On Social Media and Physical Image
On Instagram, fans can see videos from his projects and images that highlight a athletic form. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.
Ball describes his younger self as "eager for success." Has it met his expectations? "I feel very aware of how reality is a different reality to the dreams you made as a young person," he muses. He likely has about decade of performing left. "I guess in the time to come, I want to be a bit more kind with myself."